Pid: A PSN platforming adventure with a difference


The video game medium is unique in the respect that it borrows from many other media, such as moving pictures, radio, and even written word. The one aspect that separates games from movies or books is their ability to interact.

Interaction is commonly regarded as the beneficial component that can help define a game. But there are other distinctions worth mentioning, too. A book is conventionally about the text; a movie is the combination of sound and pictures. A game experience however, can be crafted using a varied palette and with a more unpredictable focus. The balance between the different media incorporated within a game differs from project to project. That is the strength of video games as a medium – but also the challenge for consumers.

As players, we usually carry our own set of expectations and opinions regarding the balance between the games’ different sides. Some people prefer titles all about the story; others would discard anything that doesn’t display visual beauty. Of course, there are players who wouldn’t care whether their protagonist is a submarine or a dinosaur, as long as the interaction part is skillfully developed. Between sound, moving pictures, text, and interaction, we all have our favorites.


We have been developing our first title, Pid, for nearly two years now. Similar to all developers, we had to decide what our focus would be. What aspect would dominate in the creative hierarchy? Can we justify a visually attractive feature, even if its gameplay function is somewhat doubtful? Do we force the player to read the dialogue, or is the story an option that ambitious players can explore and enjoy?

For Pid, the answer was inspired by the term “adventure.” The sensation of being on a journey or an adventure inspired many of the decisions, even regarding game design. Also, a balance of preciseness of gameplay – supported by visuals and presentation that delivered on the moods we wanted to convey – remained the strongest focal points.

In Pid, you are given a strong and potent set of features to help you on your way. But this “toolbox” doesn’t change during the course of the game and the variation is instead created by challenging the player to use his arsenal in different and new ways. This helps to establish the sensation of being a survivor, a resourceful child ready for anything.

The difficulty level became a much debated subject internally too. Being a platformer with strong influences in precision-based retro games, it had to be. However, with our adventure aspect, the difficulty naturally had to follow the same recipe. An adventure is something that happens once and it was therefore decided that you should have infinite lives. It all fell into place neatly. The game felt like a journey and the gameplay was difficult in the right way. Even to date, that defines Pid: a challenging adventure through a world where ideas and creativity rule both presentation and game design.


Or so we thought. Two of our team members had an ambition to take the game further; especially the core mechanic. The light beams were considered to have more depth than what had been seen in the game. A new game difficulty setting was created to explore the idea: Pid’s Hard Mode.

After working around the clock – in a time where the normal production was at its most critical point – they were ready to share their results with the rest of us. Pid might be a challenging adventure that lures you in with stunning environments and a mysterious story, but Hard Mode did not share these traits.

Hard Mode had turned the cheerful learning curve of Pid into a nightmare. The game was no longer a tasteful balance between the different elements. It was now primarily about the interaction and that alone. It was quickly evident how the priorities in-game changed. The richly detailed backgrounds became superfluous; the charming cast of characters simply mocks you by their very existence. You no longer care about the little boy on his way home: you are far too busy memorising the enemy patterns in front of you. See the new trailer below for a closer look.

Understanding what balance a game is trying to achieve is the key to appreciating it. In our game there are two game modes, each with its unique ambition, feeling and balance. Pid will be released very soon. I truly hope you will like it, and I truly dare you to complete it

0 Author replies
Project2insanity 05 October, 2012 @ 15:17

Interesting concept but I’m not immediately drawn to this. Sound’s a major factor for me and that music simply didn’t fit. Hopefully, it was only for the trailer or that it’s the weakest track.


This looks fascinating. I’ll be keeping this in mind for sure.

I noticed it said just playstation at the end. Does this mean it’s releasing fo both PS3 and Psvita?


Visual style is pretty cool.

Just watched the video and it looks very cool.
Not sure about the sound either though.

Would probably get more play time on my Vita but I’m guessing it’s gonna be PS3 only?
Look forward to a price and date and maybe a demo??

Really liking the art style.

Jakob Tuchten 07 October, 2012 @ 15:12

Thanks for the friendly comments guys!
The game will appear on several other platforms
but the Vita is currently not one of them. Our
engine simply doesn’t support the technology.

Anyway, I’m thrilled that you like the art style
and I can absolutely guarantee that both the sound
and music will deliver in the game!

Nice, will play this soon I ho

Good one

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